๐๐ฏ ๐ต๐ฐ๐ฑ ๐ฐ๐ง ๐ฑ๐ณ๐ฐ๐ท๐ช๐ฅ๐ช๐ฏ๐จ ๐ค๐ข๐ฎ๐ฆ๐ณ๐ข ๐ค๐ฐ๐ฏ๐ต๐ณ๐ฐ๐ญ ๐๐บ๐ข๐ฏ๐ท๐ช๐ฆ๐ธ ๐ข๐ญ๐ด๐ฐ ๐ฐ๐ง๐ง๐ฆ๐ณ๐ด ๐ต๐ฉ๐ฆ ๐ข๐ฃ๐ช๐ญ๐ช๐ต๐บ ๐ต๐ฐ ๐ค๐ฐ๐ฏ๐ต๐ณ๐ฐ๐ญ ๐ข๐ญ๐ญ ๐ต๐บ๐ฑ๐ฆ๐ด ๐ฐ๐ง ๐ญ๐ฆ๐ฏ๐ด๐ฆ๐ด !
D-Cinema cameras require more than typical system cameras because they were not designed to be painted live…but thatโs only the beginning of the story.
Let’s take the #SonyFX9 for example. This camera became really popular for capturing Live Cinematic Multicam Productions such as concerts, operas, fashion shows – in fact itโs maybe THE camera for those kind of scenarios.
On these productions, a wide range of lenses are often used, from expensive cine zooms to prime lenses with Tilta motors, professional B4 2/3″ lenses or even box lenses.
Not all of these can be directly connected and controlled by the FX9, but with the Cyanview RIO and RIO Live modules you get full lens control capability in addition to camera shading.
Here are three photo setups often used by Planipresse
Bonus Tip โ You can also add our VP4 to act likeย a dedicated CCU to provide all the features of a system camera to the Sony FX9 !
#ShadingOverIPย #RemoteShadingย #Broadcastย #RemoteProductionย
#LiveProductionย #LensControlย #SonyFX9ย
This post was originally published on LinkedIn